I am often been inspired, through my engagement with works by composers such as Béla Bartók and Eric Satie to explore non-linear forms or structure. In the case of 'ARC', a matrix of tonalities, expressed as modes and chord degrees are woven into a lattice according to the divisional point (and subsequent nested divisional points) prescribed by the Golden Section (Phi Φ).

As a result, every larger event in the piece relates to a series of smaller events as one might find with a fractal. The use of nested parameters can be found in all aspects of the musical content, such as the melodic line or when the lowest register is employed etc..

Below is a section of the timeline of the piece illustrating the Φ moments whereat significant modal, melodic, rhythmic and structural events or shifts occur.

"ARC" is scheduled for performance in May of 2025 in Idaho, US. Details will be announced soon.